Remember: I make all of my diagrams from the Player's Perspective:Â
How you would look down at your instrument and see the shapes.Â
There's no reason to make you flip the shapes around in your head, and memorize them in orientations other than what you see when you look down at your instrument!
Hold or Right Click the images to download them!
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There's no point or benefit to trying to memorize the notes on the board at the start, since we can start to memorize them in reference to our escalas once we learn them. So start with learning these patterns for your 5 Main Tonos!
Mi, Fa, or Sol depending on your accordion
La, Sib, or Do depending on your accordion
Re, Mib, or Fa depending on your accordion
Sol, Lab, or Sib depending on your accordion
Si, Do, or Re depending on your accordion
Here are videos showing the Escalas en Terceras, the fundamental scales we use for intros and musica.
After you learn your main Major Scales in Sencillas and Terceras, you can learn the Chromatic Scale to fill in the gaps that we jump over in these scales. This pattern is really good to start getting your fingers to move more fluidly as well.Â
Once you know the patterns and shapes of the escalas en Terceras, you kind of already know the escalas en Sextas! The "Sexta" note is literally just the lower octave of the Tercera note we harmonize the escalas en Sencillas with.
Theory information and shapes you can use to play the Primera Segunda y Tercera acordes for the different tonos we have the most access to on our accordions. These chord shapes are useful to have something to play during songs when it isn't time for the intro or for adornos. It also helps you identify the tono of the song if you line up all 3.Â