Remember: I make all of my diagrams from the Player's Perspective: 

How you would look down at your fretboard and see the shapes. 

There's no reason to make you flip the shapes around in your head, and memorize them in orientations other than what you see when you look down at your instrument!

Hold or Right Click the images to download them!

Understanding and memorizing the order of the tonos and where tonos can be found is the first step to learning where you can place the same chord shapes to get all 12 Major and Minor Chords, as well as for scales too!

In Re Tuning (1 Whole Step Down for each String from Mi Standard), all of your notes, chords, and scales can be played exactly the same way, they will just be shifted 2 frets UP from where they are in Mi Tuning.  If you use a capo on the 2nd fret in Re Tuning, you can just pretend everything past that (from Fret 3 and beyond) is Standard Tuning. 

These next 3 Shapes will be used alot for Armonia and lower string adornos and Pasadas!

These next 2 Shapes are mostly going to be used for Requinto specific adornos, on the higher strings!

I list them here in order of the Diatonic Chords of a Major Key, but there are many ways we can go about learning these Mode Shapes. If you like classic songs with mostly major chords, learn the Ionian, Lydian and Mixolydian first. 

If you like the newer tumbado/belico stuff with more Minor Chords, learn the Aeolian, Dorian and Phrygian shapes. 

You should still learn them all regardless though!